Joseph Haydnsaal

Joseph Haydnsaal

Thursday, 04th of August 2022

09.30 to 13.00	Cluster „Singing with Body and Soul“ - Ruth Gabrielli-Kutrowatz
09.30 to 10.30	Christoph Habegger – „Dynamic stabilivty, breath and sound“
10.30 to 11.20	Maria Busqué (Berlin) – Regenerative Singing – introduction to Resonance Training
11.25 to 12.10	Anne Bice (Valparaiso) – Breath of Life: Pranayama – Its Uses and Benefits for the Practice Room, Studio and Stage
12.15 to 13.00	Frank Ragsdale (Miami) „Laban for Singers: Laban Movement Analysis for Body Release and Character Development“

15.00 to 20.00	Topic PERFORMACE
15.00 - 16.00	„Singers – what theatres really need“ – Christoph Wagner-Trenkwitz
16.00 - 16.30	Listening to the Past: The Effects of Historical Recording Technology on the Singing Voice – Joshua Glasner
16.30 to 17.15	Mindfulness for Singers: Benefits for Practice and Performance – Kristine Hurst-Wajszczuk
17.15 to 17.45	Acting the Song: Tactics for Lyric Theater Artists – Christianne Roll
17.45 to 18.30	Stage Fright and Breathing – Interrelation effects Power. With Mental Training to a more expressive and sound voice – Renate Publig
18.30 to 19.15	The NATS “So You Want to Sing Series”: Reflections on Seven Years, Twenty Books, and a Glimpse of the Future – Allen Henderson

Friday, the 05th of August

09.30 to 13.15	Cluster „Vocal Maintenance and Health“ – Josipa Bainac
09.30 to 09.35	Introduction Josipa Bainac - Introduction to the Sessions & Schedule
09.35 to 09.50	Lecture "Debra Greschner (Co: Abigail Dueppen, Maurice Goodwin, Teresa Procter)" "Vocology: Past, Present and Future"
09.50 to 10.10	Lecture Kari Ragan, "The Singing Voice Rehabilitation / Specialist’s Initial Evaluation: Voice History Interview and Singing Voice Assessment"
10.10 to 10.15	BREAK
10.15 to 10.30	Lecture - Rössner, Katharina - (Co: Isabella Runggaldier, Marianne Miel) "The Effects of Hormonal Changes During/After Pregancy and Climacteric – An Insight in the Practical Experience and Perception of Voice Professionals
10.30 to 10.45	Lecture - Mauro B. Fiuza, Filipa La (Co: Ana Mateos Ramirez, Diego Ardura Martinez) - "Development and Validation of The Singing Voice Self-Efficacy Scale (Singing VoSES)
10.45 to 11.05	Lecture - Nancy Bos & Joanne Bozeman (Cate Frazier-Neely) - "Singing through Change: Women's Voice in Midlife, Menopause and Beyond"
11.05 to 11.10	BREAK
11.10 to 11.40	Key-Lecture - Jenevora Williams - From empathic singing teacher to skilled rehabilitation specialist, what is the journey?
11.40 to 11.55	Presentation of the "Stimmservice" Initiative of the mdw Elke Nagl - "Stimmservice - Stimme ein Leben lang"; Vocal Health and Maintenance Initiative of the University of Music and Performing Arts in Vienna"
11.55 to 12.00	BREAK
12.00 to 12.15	Lecture Jeanne Goffi-Fynn (Co: Christianne Roll) - Vocal Health on the Road
12.15 to 12.30	Lecture - Christopher Meerdink - "Massage for Singers: maintenance of the singing athlete"
12.30 to 12.45	Workshop - Ilter Denizoglu - "Vocal Periodization: Back to the Stage"
12.45 to 13.15	Panel Discussion - Patrick Hoyer, Monika Riedler, Simone Graf – „Healthy Vocal Folds between Subglottal System and Vocal Tract“

15.00 to 17.30	Topic COMPOSERS
15.00 to 15.30	My Sister’s Keeper: The Dunbar Edition A performance panel highlighting art songs by African American women composers with texts by Paul Laurence Dunbar in honor of the sesquicentennial celebration of Dunbar’s birth - Marcia Porter, Minnita Daniel-Cox, Alexis Davis-Hazell and Rosalyn Floyd
15.30 to 16.00	Celebrating Women—Selected Songs by Jake Heggie - Tracelyn Gesteland, Amanda Johnston
16.00 to 16.30	Decho Ensemble: Women's Voices (Music for Soprano and Saxophone Duo) - Katherine Petersen

Saturday, the 06th of August

09.30 to 13.00	Cluster „Fit for Stage – Acting for Singers“ – Helga Meyer Wagner und Wolfgang Dosch
09.30 to 09.40	Introduction – Helga Meyer-Wagner
09.40 to 11.00	Wiener Operette, Stil, Interpretation – Wolfgang Dosch Artistic Presentation
11.00 to 11.15	BREAK
11.15 to 12.10	JOINT LECTURE 1
	They were words before they were songs. Strategies for Text Analysis – Chuck Chandler
	Unlocking the Mystery of Musical Theatre Performance Synergy – Jacqui Cuny
	Training the vocal expression of emotions in singing: Effects of including acoustic research-based elements in the regular singing training of acting students – Tua Hakanpäa
	The Effects Of Dramatic Preparation On The Singing Voice: A Study Of Acoustics In Singing With Emotions In Both A Rehearsed And Unrehearsed Setting – Amy Johnson
12.10 to 13.00	JOINT LECTURE 2
	The Brain, Music, and Optimal Performance – Karen Leigh-Post
	How to stay calm at auditions – Ulla Munch
	Consent and Creating Safe Theatrical Space – Sean MC Carther
	The Embodied Voice: The creative interaction between teacher and student as the basis for developing a holistic pedagogical approach in the singing studio and in performance – Philip Salmon